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Onomatopoeic Words in the Present-day French - a Contrastive Corpus Study
DVOŘÁKOVÁ, Adéla
The aim of this bachelor thesis is to define the concept of onomatopoeic word in the context of its phonological, morphological, syntactic and semantic specifics. Subsequently, the author will briefly discuss topics related to the onomatopoeia - the question of the linguistic sign, the principle of arbitrariness and motivation, interjections, sound symbolism and ideophones. The findings and hypotheses from the theoretical part of the thesis will be verified in the practical part through the analysis of specific Czech and French onomatopoeic expressions.
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The Violin and its Usage in Teaching Music at the Elementary School Level
Štychová, Jana ; Kubátová, Gabriela (advisor) ; Hurníková, Kateřina (referee)
The diploma thesis deals with the violin and its usage in teaching music at the elementary school level. The theoretical part presents the history of the violin: from its invention, construction, and subsequent development. The first part also introduces well-known violinists, various techniques employed in playing the violin, and lastly, the violin's connection with folk music. The practical part presents methodological material focused on incorporating the violin into music education at the elementary school level. Methodical material is divided into individual topics. KEYWORDS origin of violin, development of violin, folk music, playing the violin, onomatopoeia, methodology of music education
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Onomatopoeia in the violin literature
Hamplová, Veronika ; Kubátová, Gabriela (advisor) ; Perglerová, Marka (referee)
The bachelor thesis deals with the topic of onomatopoeia in violin literature. The thesis is focused on its defining characteristics and use in violin play. It deals with the connection between music and representation. The individual examples show what can be represented by music. The examples are chosen to cover different types of onomatopoeia in different eras. KEYWORDS Onomatopoeia, music, violin literature, violin technique, interpretation
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Language of Music: Claudio Monteverdi as an Innovator in the Field of Dealing With Text in Music
Kroupová, Sylvie ; Valášek, Marek (advisor) ; Pecháček, Stanislav (referee)
TITLE: THE LANGUAGE OF MUSIC: Claudio Monteverdi as an innovator in the field of dealing with text in music. SUMMARY: The main topic of this Thesis is Claudio Monteverdi's work and its importance for the development of dealing with text in music of the late Renaissance and early Baroque period. In Monteverdi's compositions we can follow the evolution of counterpoint techniques reaching from the traditional 16th century vocal polyphony to the purely monodic approach to composition that is typical of Baroque music. The text works as a creative element that affects the author's way of working, leading him from the first experiments with the musical representation of each word in the madrigal to a dramatic expression of the text in the style of opera. In his work Monteverdi uses wordpainting to an unprecedented extent. He invents new musical expression for words that contain a strong emotional charge, like subtle rhythmic figures for joyful words, or sharp dissonances for words conveying pain. He is the first composer to achieve excellence in combining flawless technical skill with the dramatic line of the composition. His work forms an imaginary bridge between music of two periods: in the first period text is perceived as a mere "servant" of music but becomes the "ruler" of it in the later one. The Thesis...
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